Showing posts with label Lisa Penny. Show all posts
Showing posts with label Lisa Penny. Show all posts

6/2/07

Meeting Point - Axel Lapp Projects, Berlin

Apartment are currently in Berlin at Axel Lapp Projects. We are showing a selection of Apartment’s previous exhibitors at the space (Invalidenstraße 161, D-10115 Berlin); so if you happen to be in Berlin; do come to see us we will be there hosting the gallery until the show ends on June 23rd. Entitled ‘Meeting Point’ the exhibition features; Dave Gledhill, Paul Harfleet, Hilary Jack, Naomi Kashiwagi, Lisa Penny, Maeve Rendle, Cherry Tenneson, Martine Myrup, David Wilkinson and Beáta Veszely; more details below:

Twice a year Axel Lapp Projects invites and showcases the work of artist-run spaces based outside Berlin in a programme entitled INTERLUDE. For the first of this programme Axel Lapp has selected Apartment, a project and exhibition space, run from a sixth floor one bedroom council flat in central Manchester, UK, co-directed by Hilary Jack and Paul Harfleet. For INTERLUDE 1, Hilary Jack and Paul Harfleet have brought together the work of ten artists from Manchester, Budapest, London and Glasgow in a show entitled ‘Meeting Point’. The work offers an insight into the breadth of activity that Apartment has facilitated over the last three years and reflects Lapp’s own interest and commitment to this Manchester based exhibition space.

Above; visitors to the preview,

Apartment is based in a flat, and unlike many artist led spaces that operate in this way, the curators choose to present the work alongside the possessions that Paul Harfleet lives amongst. This curatorial decision enables the artwork to position itself in contrast to the objects or to hide within them, camouflaged by the everyday detritus. Each artist presented here, at Axel Lapp Projects, has exhibited at Apartment and has dealt with this reality in a variety of interesting ways.

When artwork is shown at Apartment the interior of the flat frames the work. At Axel Lapp Projects, Apartment itself is an absent participant, no longer available as a supporting framework for the presentation of the art work. Therefore the works are able to be re-seen without the context of Apartment, revealing to the curators, the complex relationships that have been formed between the artists and their practices over the three years that Apartment has existed. For the audience the various works are seen within the gallery context and with the knowledge that these relationships were forged in a domestic location; here the artists come together creating a meeting point where the work can be seen in a group show and in a totally new context.

6/1/07

Lisa Penny

Lisa Penny works with drawing, collage and found material from factual publications such ‘Life World Library’ and National Geographic. Penny uses found images and visual information which is subverted to tell a different narrative, for ‘Meeting Point’ Penny shows a diptych collage constructed from found magazine pages of two iconic male figures. Lisa Penny is based in London and has exhibited internationally she currently has a solo show at Galerie Inges, Stubbenkammerstr. 4, 10437 Berlin

‘The Passengers’ - collaged found images

8/30/04

Lisa Penny


Lisa Penny is a London based practitioner who uses found kitsch objects both as components of photographs and sculptural assemblages. In Apartment Lisa Penny has installed a series of photographs entitled ‘Hierarchy’. Each photo shows similar elements in different configurations suggesting complex narratives that are further enriched by the photos location. The photos present household figurines in domestic scenes the photos then displayed within similar domestic scenes act as a precursor for what is to come as Lisa has installed a collection of found ornaments on the balcony.
The figurines nestle within the potted plants and are connected with black wool, which winds its way through the objects and the foliage. The work suggests an innocent’s world of play and theatrical positioning offer complex readings; the familiar is made strange with the use of ubiquitous china cats, dogs and statuettes bound and suspended as if caught in the midst of an epic ambiguous drama.